Showing posts with label Article. Show all posts
Showing posts with label Article. Show all posts

February 13, 2011

AF-ON...

Those who have meet me, know that one of the first tips I offer to fellow photographers is to take AF control away from your shutter button. In this months 'Outdoor Photographer' George D. Lepp suggest the same thing, as he is George Lepp, I'll let his words tell you what to do:
AI Servo is a predictive focus feature found on Canon DSLRs; Nikon offers a similar capability called Continuous Focus. These modes are especially useful for wildlife/bird and sports photographers because they allow the photographer to “lock” onto a moving subject and keep it constantly in focus by predicting its next location. The photographer can concentrate on keeping the subject in the frame while the camera keeps the subject in focus. As I’ve written before, predictive autofocus, introduced in the mid-’80s, was one of the great game-changer advances in photography.

When I’m photographing wildlife in the field (or on my grandkids’ soccer field), I want to be able to shoot both moving and still subjects without changing my camera settings. This is accomplished not so much with autofocus modes, but rather by the camera’s custom functions. Straight out of the box, I program all of my Canon DSLRs to deactivate autofocus from the front shutter button and activate the autofocus (AF) button on the rear of the camera. From that point on, I’m using my thumb on the rear AF button to focus the camera and my index finger on the shutter button to capture, and because autofocus isn’t active on the shutter button, the focusing decision I make isn’t overridden by the camera as the image is captured.

With this setup, the AI Servo tracking is active only when you depress the rear autofocus button. Keep it depressed as you follow the action, and capture your images with the front shutter button. When you lift off the rear shutter button for a stationary shot (as for a single player on the field or a portrait), focus is locked at that location. You can reframe the image, then capture with the shutter release. When your thumb is off the rear AF button, you can manually focus with the lens’ focusing ring and override any previously set autofocus. AI Servo mode is only activated when you depress the rear autofocus button, so leave it on all the time. With this setup, you have it all.

The full article is here

December 11, 2010

Outdoor Photographer HDR article...

Most of you know that I use HDR photography from time to time to capture a scene as my eyes see it; but my camera cannot. I still carry and use graduated neutral density filters (Grad ND Filters), and swear by them; but the use of HDR bracketing alone, or with Grad ND Filters allow me to open up many possibilities. I have been using Photomatix for years to create HDR images, and this year I have also begun playing with Adobe Photoshop CS 5 to create even more natural looking HDR images.

Not being one to reinvent the wheel I'll let you read the article and get what you need to learn from it.

Enjoy

The article:
http://www.outdoorphotographer.com/how-to/photoshop-and-other-software/making-best-use-of-hdr.html?utm_source=newsletter&utm_medium=email&utm_campaign=OPeNewsDec_120910

November 11, 2009

Color Space

I live and die by accurate colors, and that is why I am a firm believer in knowing your color profile and keeping all pieces of the process in check.

I have long preached shooting and working in, at least, AdobeRGB and this article goes a long way in explaining why I am so adamant about color accuracy. Your camera, monitor, software, and printer all need to be able to show colors as you what them to. Without calibration in a thought through color profile you simply will not know what people will see. I need the blue sky to be the same blue when I shoot, edit, print, and share to the web.

The full article is here.

Enjoy

November 7, 2009

Ansel Adams, The Father of Color?

In a recent Smithsonian article on Ansel Adams' color photography work, one can not help to wonder what else Adams may deserve to be known for.

Those of us in the world of landscape photography know him as the father of landscape photography, master of the darkroom, and maestro of the monochrome; but many forget that he was a talented portrait photographer and also a very sought after color photographer.

The article is here.

Well worth the read.